Reconnez Cherie
1978 Stiff Records single

On a convenient seat by the lavatories
In the sodium glare
We used to wait for the bus in a passionate clutch
And go as far as we dared
Do you remember
When I passed my driving test
Took you to the pictures
Forget the rest
Do you remember
All those nights in my Zodiac
Playing with your dress
Underneath your Pac-a-Mac

Reconnez Cherie
Quand nous avons vive en ecstasy

And then a voice from afar in the back of my car
Whispered 'Gay Paris'
And looking ever so French the bohemian dream
You said 'bonjour mon ami'
Do you remember
When I moved into my studio flat
Hot sticky nights
In the summertime in bedsitland

Do you remember
When you sold your paintings in the gallery
And they said 'mais oui ce soir,
'C'est la vie c'est le tricolor'

Reconnez Cherie
Quand nous avons vive en ecstasy


words and music Wreckless Eric / Eric Goulden (Zomba Music)

 





When I was at art school up in Hull I discovered Cajun music via an album on the Oval label called Another Saturday Night. It was later re-released on Stiff - just after Reconnez Cherie came out in fact - and they put out Promised Land by Johnny Allen as a single. On the strength of a couple of radio plays they transferred all the promotion from Reconnez Cherie and got Johnny Allen over for a holiday. He wasn't a musician anymore - he was a school teacher and all he was interested in was whisky and poontang. It was ironic that the album that inspired me to write Reconnez Cherie ended up being the reason that the song failed to chart. I was more than a bit pissed off especially as a couple of the all-round good guys on the Stiff staff tried to persuade my girlfriend to become Johnny Allen's constant companion while I was on tour. Of course she had a mind of her own and told them to fuck off, so Johnny didn't get his poontang - and neither did he get a hit record.
Anyway some of the tracks on Another Saturday Night were in French - one of them was called Une Autre Soir En Rien, and I thought this was really cool - sort of sophisticated and slightly gauche at the same time (which is interesting because gauche is the French word for left, and with an acute accent over the e means left-handed which in their minds means clumsy because that's what left-handed people are supposed to be, and that's where the expression gauche comes from - I think).
My French wasn't very good when I wrote this song but I wasn't bothered - quite possibly because I never thought anyone else would actually hear it. It was just an idea a few images from my youth. The bus shelter is in Saltdean, on the sea front opposite the Lido and the sodium glare is the orange light from the sodium street lamps - I thought there was something a bit David Bowie / Clockwork Orange about that.


The Zodiac was a Ford Zodiac. My dad's boss's wife drove a Ford Zodiac - it was about the nearest thing you could get to a Cadillac in England in the sixties. It was also a nod to an Ian Dury song, The Upminster Kid which he did when he was in Kilburn & The High Roads - I used to roam around in a two-tone Zephyr with a mean and nasty grin... The Ford Zephyr was a companion car to the Zodiac. There was also the Ford Consul but that wasn't such a cool car because the man across the road, a builder called Alan Sinden, drove one and he was boring. Even to me at the age of ten.
I put Pac-a-Mac in because it rhymed with Zodiac and also because of my grandmother who you can read about in my autobiography, A Dysfunctional Success. For anyone who doesn't know, a Pac-a-Mac was a thin semi-tranparent raincoat that you could roll up and pop in your shopping bag. My grandmother wore one as a dressing gown when she came to stay. I thought it was the kind of passion-killing article that a teenage girl might put on in a moment of ill-judgment.
Gay Paris wasn't gay as in homosexual - back in 1976 when I wrote the song the word gay wasn't used in that context. Later on some people thought that I was gay because of that, and when I suddenly disappeared from view around 1981 I heard a rumour that I'd been killed in a motorcycle accident in New York with my boyfriend. I wasn't and I still don't have a boyfriend.
I loved images of bedsitland - I was thinking of part of The Wasteland by T S Elliot:

The typist home at teatime, clears her breakfast, lights
Her stove, and lays out food in tins.
Out of the window perilously spread
Her drying combinations touched by the sun's last rays.
On the divan are piled (at night her bed)
Stockings, slippers, camisoles, and stays.
I Tiresias, old man with wrinkles dugs
Perceived the scene, and foretold the rest -
I too awaited the expected guest.
He, the young man carbuncular, arrives,
A small house agent's clerk, with one bold stare,
One of the low on whom assurance sits
As a silk hat on a Bradford millionaire.
The time is now propitious, as he guesses,
The meal is ended, she is bored and tired.
Endeavours to engage her in caresses
Which still are unreproved, if undesired.
Flushed and decided, he assaults at once;
Exploring hands encounter no defence;
His vanity requires no response,
And makes a welcome of indifference.
(And I Tiresias have foresuffered all
Enacted on the same divan or bed;
I who have sat by Thebes below the wall
And walked among the lowest of the dead.)
Bestows one final patronising kiss,
And gropes his way, finding the stairs unlit...

That might seem unnecessary and beside the point but I like T S Elliot. I borrowed the spotty clerk motif later on for a Captains Of Industry number called The Lucky Ones.
I think The Members hijacked the bedsit idea from me for The Sound Of The Suburbs though I'm sure they'd hotly deny it. I thought their singer borrowed rather a lot from me but that's by the way.
I put the painting stuff into make it more bohemian. The Tricolor is the French flag, I was thinking of Jim Dine's paintings of the stars and stripes.
Musically Reconnez Cherie is a cross between Save The Last Dance For Me and Ten Guitars both of which were firm favourites on the Hull pub and club circuit. Ten Guitars was the B side of Release Me by Englebert Humperdink. On the odd occasion I've been known to throw caution to the wind and play Ten Guitars at one of my gigs. I've also done That Old Feeling by Kathy Kirby and There's A Kind of Hush by just about everybody including The Carpenters. That's also by the way by the way.
On the record Reconnez Cherie should be in the key of E but on some pressings it's in F because they speeded it up to make it sound more peppy and poppy or something. It just makes me sound like I'm on helium and it loses the groove.
Davey Payne played the alto sax solo. He nicked part of it from a TV programme called The Water Margin. His brother Barry Payne played the bass and I think that's the best thing about the record. He was only sixteen at the time.
And finally, people keep asking me for the chords, so here they are:
 


verse
E E B B E E B B
A A E E B B E E
A A E E B B E E

chorus
B B A E E x 3

instrumental
E A B B B/C#m B E E

verse (same as the other but quieter)

chorus to fade